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By Teofilo Folengo

Mantovano, nato nel 1491, Folengo è stato uno dei principali esponenti della poesia maccheronica. los angeles sua prima pubblicazione, il Merlini Cocaii macaronicon racconta l. a. storia di un eroe immaginario, Baldus, e si connota consistent with l'uso frequente di parole e frasi dal dialetto mantovano spesso di difficile comprensione. Più volte censurato proprio consistent with il suo linguaggio e l. a. manifestazione di idee ritenute volgari, il Merlini Cocaii macaronicon ha conquistato comunque una vasta popolarità ed in pochi anni è stato ristampato in numerosissime edizioni. Oggi il Baldus esce in step with UTET, completo di apparato critico, in un'edizione digitale di pregio.

Note: twin language: Latin and Italian. (no English)

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Durch ihn zuerst bekam die Kirchenfassade (Gesil, S. Maria de' Monti), die Palastfassade (Pal. Serlupi), die Villa (Aldobrandini in Frascati) den entschieden barocken Stempel. Seine höchste Leistung wäre die grosse Peterskuppel , wenn wirklich n icht nur die bauliche Ausführung, sondern auch die Zeichnung auf ihn zurückgeführt werden konnte (s. den betreffenden Abschnitt im dritten Teil). Was Porta begonnen , vollendete , übertrieb und - zerstörte, wenn man so sagen will, Car/o Maderna (1556-1639, gebürtig vom Comersee, kommt schon als Knabe nach Rom).

Ich breche diese Bemerkungen ab, unser Thema ist die Architektur und ich greife zurück auf den Anfangssatz : 1) Vielleicht am deutlichsten ist d ie Entwicklun g in der Behandlung des H aares zu erkennen. 1) Eine Geschichte des malerischen Stils ist noch nicht geschrieben. Sie mQsste sehr interessante Resultate liefern. 1) Brunn, uber die pergamenische Gigantomachie : "Die KonstJer erreichen durch scharfe GegensAtze von Licht und Schatten, sowie durch entsprechende Massengruppierung in hohem Masse, was wir als malerische Wirkung zu bezeichnen pflegen".

IV. fol. 149. Ein gleiches Beispiel : Die Umgestaltung, die Bramantes Nische des mittleren Treppenabsatzes im Giardino delJa Pi gna erfuhr (wahr­ scheinlich durch A. da Sangallo) 11). Im Gegensatz zu Rom behält Oberitalien auch hier die Renais­ sanceformen noch bei. V gl. das viel nachgeahmte Innensystem von S. Fedele zu Mailand ( 15� ; Pellegrino Tibaldi) : das Triumphbogen­ motiv, zweimal wiederholt mit 2 Flachkuppeln darüber, teilt das Schiff in 2 quad ratische Raume ; ferner die äussere Mauergliederung von S.

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